Star Trek Saturdays #21

It’s time for Star Trek Saturdays #21!!!


This week’s episode is “Tomorrow Is Yesterday” and it’s a wonderful time-travel episode that embodies the best of 1960s contemporary drama.

Our story opens at an Air Force base in Omaha, Nebraska in 1969. An airman detects something on radar that his commanding officer believes is an enemy aircraft right over the base; the strangest part is how the signal just appeared out of nowhere. The C.O. orders someone to go up there and take a look and we see an F-104 fighter jet take off. We then cut to the Enterprise flying through the sky.

File:USS Enterprise pursued by Bluejay 4.jpg

After the opening, we hear Kirk, in his Captain’s Log, explain what happened:

Captain’s Log, Stardate 3113.2, subjective time: We were en route to Starbase 9 for resupply when a black star of high gravitational attraction began to drag us toward it. It required all warp power in reverse to pull us away from the star but like snapping a rubber band, the breakaway sent us plunging through space, out of control to stop here, wherever we are.

The ship is hurt bad, running solely on impulse power. Scotty reports that warp engines are offline and that he is holding the ship in orbit over Earth. Kirk asks Uhura to contact Starfleet Control to tell them how close the black star is to Starbase 9.

She replies that there is nothing on all standard Starfleet channels but she is getting something on another frequency…which turns out to be a radio broadcast talking about the first manned moon shot being scheduled to take place on Wednesday. Kirk recalls that that happened in the late 1960s and Spock realizes where and when they are, having been thrown back in time from the force of their escape from the black star.

Uhura then picks up an air-to-ground transmission which is the aircraft persueing them–named Bluejay 4 and piloted by Cap. John Christopher (Roger Perry)–telling the base that he is zeroing in on the UFO that is the Enterprise. He pursues them up into the clouds. Overhearing the order by the base to either shoot the UFO or disable it, Spock theorizes that the ship could be armed with nuclear warheads, which would be disastrous to the ship in its current condition.

Kirk orders Scotty to lock onto the aircraft with a tractor beam and, when that starts breaking about, tells the transporter room to beam Christopher aboard. He greets him personally, revealing his name but nothing else, stating that all will be revealed in time. But what does Christopher find out about himself, and how will the Enterprise get back home?

JohnChristopher (Captain Christopher)

The surprising thing about this episode is that it feels so much like a regular drama of the time, while still feeling like Trek. It’s a remarkable act of imitation and everyone pulls it off well. Perry, a veteran TV actor, feels and looks like the typical hero, but he also brings an interesting perspective. From the beginning, everyone we’ve met within the world of the show is innately familiar with Starfleet and, by reputation or otherwise, the Enterprise. But Christopher isn’t, and watching a man who embodies the best America had in the 1960s (the hippie-free 1960s imagined by most TV of the time) grapple with all these astonishing things is rather interesting and compelling to see.

The regular cast gets on this wavelength too.  Shatner brings Kirk wonderfully into this scenario, Nimoy gets some wonderful comedy for Spock out of a problem with Kirk’s computer and Kelley has some nice little bits for McCoy. They bring D.C Fontana’s tense, clever script to life and, combined with some terrific, crisp direction by Michael O’Harlihy, they make this an episode worth watching. Recommended.

Thanks to Memory Alpha, the official Star Trek wiki for the pics and episode information, as well as Amazon Instant for hosting the show. We’ll see you next Saturday and until then, live long and prosper.




Star Trek Saturdays #7

It’s time for Star Trek Saturdays #7!

This week’s episode is “Charlie X” and this is a milestone in Trek history, as it is the first script credited to the legendary Trek writer D.C. Fontana.

Dorothy Catherine Fontana originally started out working as Gene Roddenberry’s secretary but was promoted to writer later on, with this being her first credited episode, working from a story by Roddenberry. Writing under the name D.C. Fontana–as well as various other pseudonyms–she wrote 10 episodes of Trek as well as various other episodes of spinoffs and even cowrote The Enterprise Experiment comic book miniseries, which she considers to be Year Four of the Enterprise’s five-year mission. She’s a bit of legend in Trekkiedom and this episode, despite some problems, shows why.

The plot of “Charlie X” has the crew taking on a castaway, a 17-year old boy named Charlie Evans (Robert Walker Jr., who, like all teenagers on American TV until recently, was 20-something at the time of filming), who was marooned on the desolate planet Thasus at a young age when the spaceship he was on crashed, and was apparently alone, teaching himself to speak using the ship’s resources ala Tarzan, until the Starfleet freighter Antares discovered him. They transfer him to the Enterprise so that they might take him to his only known relatives on  the planet Colony 5.

(Pictured: Charlie)

Charlie at first seems to be a bit of an emotionally stunted kid, not knowing how to properly react to things; he’s completely perplexed at the sight of Yeoman Rand, the first woman he’s ever seen. But he soon begins displaying unusual powers that come hand in hand with emotional outbursts; for example, when Uhura sings to a group of crewmen in a rec room leading Rand to ignore Charlie, he silences Uhura so that Rand will pay attention to him. He also, when a crewman laughs at him, makes him disappear with a simple gesture. Kirk quickly catches on that there’s more to this kid than simple adolescent angst, but it might be already too late to stop him…

A nice thing Fontana does here is give us more than we’ve ever seen of the Enterprise and its crew. The rec room scenes and a scene in the gymnasium show us a whole bunch of extras just hanging out, really making this ship feel populated. That scene of Uhura singing while Spock accompanies her on what’s apparently known as a Vulcan lyre (so says Memory Alpha) is nice too, showing us a side of the two crewmen we haven’t seen before and it shows viewers just WHY Roberto Orci & Alex Kurtzman hooked those two up in the 2009 film; they have a great chemistry together and Uhura isn’t afraid to make fun of Spock.

Walker Jr. is pretty good here as the tormented Charlie, but he really hits his stride in the last 15 minutes or so, showing us exactly what it would be like to have to deal with all sorts of power at the same time you’re going through the sheer hell of being a teenager (says the kid who turns 20 at the end of the month). Grace Lee Whitney has the chance to bring out even more of the vulnerability of Rand that we saw in “The Enemy Within” and that was nice to see. William Shatner also has some pretty funny, awkward scenes as Kirk is placed in the unenviable position of being Charlie’s father figure, and eventually, his opposing force.

Like I said earlier, there are some problems with this episode. The pacing doesn’t really pick up for about the first 20 minutes or so and the fact that Charlie is played by a 20-something rather than an ACTUAL 17-year old somewhat robs the character of his potency and poignancy. Maybe if Abrams and co. incorporate this episode in a movie several years down the line, they can cast Pierce Gagnon as Charlie…

That aside, this is a pretty well-done episode. Well worth it.

Thanks to Memory Alpha, the official Star Trek wiki for the pics and episode information, as well as Amazon Instant for hosting the show. We’ll see you next Saturday and until then, live long and prosper.